Joseph Loughborough spent his formative years exploring the derelict boatyards and creeks of Portsmouth, on the south coast of the UK. After graduating from Portsmouth University he pursued interests in art, philosophy and skateboarding culture, living in London, Paris and Berlin, where he currently resides.

Honesty, expressionism and catharsis can be read from the impulsive and intuitive mark making of Joseph Loughborough, which seemingly strives to grasp a comprehension of the human condition.

Drawing inspiration from various themes concerned with Camus/Kierkegaard’s notion of ‘Absurdity’, each drawing becomes a decadent theatre of emotion, sexuality and movement.

Lonely human forms seem to struggle and ponder the sparsely lit spaces they occupy without reaching the point of a dramatic emotional encounter. Couples and groups of people cling together searching for an antidote to the revelations of their existence. Personifications of latent hopes and emotions wait in vain to be realized.

No specific conclusions can be made to the meaning of the individual works aside from the acknowledgement and indulgence of image, expression and technique. This reflects absurdity’s philosophical model of observing our potentially meaningless existence without the sterilisation of Nihilism. The irony of religious motifs act to enhance the awkward balance between secularism and piousness that the characters depicted seem to grapple with.

Questions are frequently asked of the viewer about how we interpret our oft-untold fears and desires.

Major solo exhibitions by the artist include The Anatomy of Strangers, curated by The Future Tense.

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